I remember taking art classes in high school, but I don’t remember why. I did a couple of hard-edge paintings on canvas, some monstrous thing out of foam, and one decent watercolor. I was mostly into snow skiing and guitar. In the long run, the guitar won, and I spent most of my twenties and thirties seeking rock stardom.

I come from a very musical family and music was our blessing and curse. The lifestyle was not exactly healthy and eventually I found darkness. I stayed there for quite a while, until I remembered that I used to like painting.  I started again and felt better. I was able to find little pieces of joy and I needed that. My life got better, and I restarted college. A career in Social Work was the result.  Life got busy and art was not a part of it.

As I got older, I realized that something was missing, and I needed to get back to that space that was mine alone. I decided to take classes in abstract painting. My first assignment was inspiring and made me think, “I painted that? How the heck did I do that?” The instructor said something that is now my mantra, “Let the painting speak to you.” I suppose this might not apply to all art, but it really has a place in abstract. That’s how I come up with what I create. It speaks to me, and I follow it. There is no greater honor for me as an artist than that my art may speak to you as well. I can only thank you. Welcome to the conversation.

Image of Richard Irwin

Richard Irwin

Picture of Cherie Martin Irwin with braids

Cherie Martin Irwin

My artwork is a vibrant celebration of color, whimsy, and joy, often infused with a playful sense of humor. I blend fiber, drawing, painting, mosaic, and mixed media to create pieces that are not only visually engaging but also rich in texture and layered meaning. A committed environmentalist, I frequently incorporate repurposed materials, striving to give new life to tiny scraps of fabric or overlooked elements, ensuring that no bit goes to waste.

My choice of subject matter reflects my optimistic and hopeful nature. Circles, hearts, and mandalas often appear as recurring motifs, inspired by nature, the creative expressions of others, exploration, and the simple delight of play. I am drawn to scenes primarily through their color, but also by the stories behind other artists’ work, as I am an avid collector who values the narratives embedded in artistic creations.

Inspired by the beauty of the natural world and the pure joy of making people smile, my art seeks to evoke happiness and connection. My technique is a continual evolution; with fabric, I experiment with various stitching methods—both machine and hand embroidery—to add texture and depth. In mosaic, I am always exploring new adhesives, grouting techniques, and methods to cut glass, combining media thoughtfully to achieve harmony in color and shape.

I am a lifelong learner, committed to growth and never repeating myself. This attitude, cultivated throughout my professional career, fuels my artistic process. I take workshops and engage with artists I admire, constantly questioning and refining my approach to keep my work fresh, unique, and full of life.

My work can be found in the Fuller Lodge Art Center in Los Alamos, NM. Annually, I am at Recycle Santa Fe and Placitas Holiday Market (November), and from Thanksgiving to Christmas at Taos Folk.